Alex G has announced a new show at Glasgow&#39;s legendary Barrowland Ballroom later this year. Pennsylvania&#39;s preeminent master of melodic nostalgia and indie rock experimentation Alex Giannascoli and his long-serving band of brothers return to the city on Mon 17 Nov for their biggest Scottish live show to date, swiftly following the announcement of long-awaited new album Headlights, due for release on 18 July. <a href="undefined">In the meantime, Alex has previewed the first track from his new album</a>, entitled Afterlife. Aided by an irresistible mandolin-heavy hook, the song plays to the melodic strengths of previous records God Save The Animals, House of Sugar and in particular, 2017&#39;s Rocket, yet hints at new narrative direction and perhaps the most dextrous and most refined production to date. It&#39;s a bittersweet little banger which more than justifies the excited anticipation of this new record, perfectly-placed to come out right in the heart of summer.Pre-sale for the Barrowlands show starts on Thu 19 June @ 10amSign up <a href="undefined">HERE</a><a href="undefined"></a><a href="undefined">Check out the video for new single &#39;Afterlife&#39; below: </a><div class="video-container">
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ALEX G TO PLAY BARRAS IN NOVEMBER

Big Nights @ La Belle is a new month-long concert series taking place during the Edinburgh Fringe Festival this summer, only at La Belle Angele. This exciting new collaboration between the popular Old Town venue and summer events series Big Nights Out will host a cavalcade of extraordinary performers across the whole month of August, from familiar names and party starters to your new favourite artist. Beloved Libertines co-founder and esteemed solo artist Peter Docherty will perform across two nights in support of his much-anticipated new album Felt Better Alive (12+13 Aug); Kristen Hersh brings her popular 90s alt-rock combo Throwing Muses back to the capital with their first album in five years, Moonlight Concessions (20 Aug); Multi- Grammy-Award-Winning US Blues artist Fantastic Negrito brings his explosive live show to the city on 19 Aug, while revered MC and master of the bass-baritone flow, Chali 2na (Jurassic 5, Ozomatli) brings his solo tour to Edinburgh for a hip-hop masterclass on 11 Aug. Elsewhere throughout the month Big Nights @ La Belle will welcome cinematic US indie rock elders Mercury Rev; charismatic Australian singer-songwriter, X-Factor Australia sensation and recent Coldplay touring buddy Emmanuel Kelly; the bittersweet brilliance of BC Camplight; beguiling North East alt-indie collective Lanterns on the Lake; beloved UK indie-folk project This Is The Kit; electronic jazz heavyweights Svaneborg Kardyb &amp; Vega Trails; UK blues-rock duo When Rivers Meet and rising Scottish neo-trad trio Project Smok. There will also be plenty of chances to party with performances from septuagenarian rap duo Pete &amp; Bas, Tony Hawk’s Pro Skater live tribute The 900, LA jazz-funk cosmonauts Thumpasauras, 80s hitmakers Men Without Hats and Croatian Eurovision star Baby Lasagna. All shows on sale now at bignightsout.com

New Summer Concert Series to Join Edinburgh Fringe in August

Rising Chicago indie rock crew Beach Bunny return to Glasgow for their biggest Scottish show to date on Sunday 19 October. Tickets on sale Fri 28 March @ 10am <a href="undefined">HERE </a>The band, expanded from the bedroom project of prolific master of melody Lili Trifilio, will be touring in support of their anticipated new album Tunnel Vision (out 25 April). You can watch the video for the eponymous new single below:<div class="video-container">
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Beach Bunny announce new headline show in Glasgow

Big Nights Out has announced a new wave of summer concerts at Queen’s Park Arena as part of its 2025 programming across two of Glasgow’s iconic outdoor bandstands. Over several nights in May, June and July, Glasgow will play host to a packed line up of world-renowned artists and local legends for a run of very special live outdoor performances at Kelvingrove Bandstand and Queen’s Park Arena this year.Today, new performances have been added to the line up at Queen’s Park Arena, including Leeds post-punk faves Yard Act (18 July), punk-jazz experimenter Geordie Greep (black midi - 19 July) and rambunctious London indie-punk collective Warmduscher (5 July). Pre-sale starts on Wed 26 March @ 10am Tickets <a href="undefined">HERE</a>

Yard Act, Warmduscher and Geordie Greep added to Big Nights Out

Michelle Zauner&#39;s cinematic indie rock project Japanese Breakfast has today released their fourth album, For Melancholy Brunettes (&amp; Sad Women) via Dead Oceans. The album&#39;s release preceds the band&#39;s return to Scotland with a summer headline show at Glasgow&#39;s iconic Barrowland Ballroom set for Mon 30 June. This will be their biggest Scotland show to date, charting an impressive growth in scope and stature over the course of four well-received full length albums since. Tickets for Japanese Breakfast at Barrowland Ballroom, Glasgow on 30 June available <a href="undefined">HERE</a>For Melancholy Brunettes... is available now from all good record shops. Watch the video for latest single &#39;Picture Window&#39; below:<div class="video-container">
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New Japanese Breakfast album out now. Barras show set for June.

For three decades, The&nbsp;Wildhearts&nbsp;have remained at the forefront of the UK rock scene; through incendiary, festival-topping live shows and fast-lane frolics, they have cemented their reputation as one of the finest, most prolific, most notorious outfit’s their homeland has produced – and now they’re back with a brand new studio album, their first for&nbsp;Snakefarm!&nbsp; Titled ‘Satanic Rites of The&nbsp;Wildhearts’ and produced / mixed by Jim Pinder and Carl Bown (Sleep Token / Bullet For My Valentine / While She Sleeps), the record is conceived – musically, visually and in terms of spirit and intent – as a belated 10-track follow-up to their classic debut, ‘Earth vs The&nbsp;Wildhearts’ (1993).&nbsp;

The Wildhearts

Aberdeen

The Lemon Tree

Black Label Society - Summer 2026 Part 1

Glasgow

O2 Academy

Jesse Gold

The Poetry Club, SWG3

“It clicked for me one day, that the album was going to be about hornets,” explains Sputnik, the mononymous songwriter behind the noise-pop project Weatherday. “It just made sense to me.” Hornet Disaster, Weatherday’s follow-up to their 2019 debut Come in, and spiritual successor to 2022’s collab release Weatherglow, is their most expansive work to date. In Weatherday’s initial bout of inspired writing and recording, they produced over 70 songs for the record, but not before they had a complete, overarching narrative that was coherently tied back to Sputnik’s previous work. Like its predecessor Come in, Weatherday’s Hornet Disaster lurches instantly into a caustic title track. The overture is signature Weatherday — urgent, noisy, erratic, and playful — but also hints at shifts in songwriting and production. Lead single “Angel,” backed with “Heartbeats,” demonstrates this evolution in a snappy, springy emo anthem, while its counterpart calls on longtime influence The Knife in a slinky, downtempo curio that pushes the Weatherday sonic universe in an unexpected direction. The movement, color, and form of hornets are meticulously threaded throughout the album’s nineteen song tracklist, with hectic melody and unpredictable turns giving way to various forays: a tribute to Swedish winter in Weatherday’s first official song in Swedish (“Pulka”); the use of renaissance flute (“Green Tea Seaweed Sea”); and the folktronica experimentalism of third single “Ripped Apart By Hands.” It’s a bustling record with disparate songs each vying for space like wasps in a swarm. It can inspire caution and chaos, but there’s wonder, purpose, and a certain familiarity there, too. Weatherday has extended the knotted, thrashing maximalism of Come in by doubling down with the uncompromised, no-stone-unturned nature of Hornet Disaster. Where Come in was the product of an artist searching for their voice, Hornet Disaster represents the joyful abandon that comes from having found it.

Core. Presents: Weatherday

Slay Glasgow

Bleak Squad is a new Melbourne four-piece comprised of true Australian art-rock royalty. Featuring Mick Turner (Dirty Three, Mess Esque) Mick Harvey (Nick Cave &amp;The Bad Seeds, PJ Harvey, The Birthday Party), Adalita (Magic Dirt) and Marty Brown (Art of Fighting), the unlikely quartet unite for the first time on Bleak Squad’s brooding, noir-rock debut LP, Strange Love, since shortlisted for the Australian Music Prize. Borne from spur of the moment jam sessions, Strange Love sees all four members juggle multiple instruments, songwriting, their own idiosyncrasies, and lead vocal duties between Adalita and Harvey. The result is a confident nine-song set of love, loss and lonesome-ness, set to fizzing guitars, slippery bass lines, and the signature illogical squawk of Turner’s guitar. With Strange Love, Bleak Squad announce the boldest of entries into the Australian music landscape. “…they should not be missed live: four Australian music greats with charisma to burn, uncanny chemistry, and a quality set of songs tailor-made for those long, dark nights of the soul.”

Bleak Squad

Stereo

Giraffe is the first new music from Gilla Band in nearly 4 years. This follows their critically acclaimed 3rd album Most Normal which Pitchfork described in a best new music review as “a masterpiece of panic and deconstruction”. Live The Guardian described the band’s set as feeling “genuinely dangerous, like one last rave before the apocalypse, and as perfect an expression of rock’n’roll’s essential auto-destructive impulse as this writer’s ever heard” For over ten years now, the Dublin quartet — vocalist Dara Kiely, guitarist Alan Duggan Borges, bassist Daniel Fox, and drummer Adam Faulkner — have been redefining what you could loosely call “rock music” in the 21st century, influencing a wide swath of similarly forward-thinking guitar acts along the way. The band perfected a vision that wasn’t quite post-punk, wasn’t quite noise-rock, wasn’t quite anything besides an idiosyncratic, ground-breaking hybrid that could only come from the four of them - Giraffe is their bold new offering.&nbsp;

Core. Presents: Gilla Band

Classic Grand

Some bands never miss. This rare breed consistently puts out great records every couple years, avoiding the lengthy hiatuses or egregious sonic missteps that often come with achieving longevity. It’s an often unsung reliability, as few realize how truly remarkable it is to put art into the world at this rate without letting the quality slip. For nearly 15 years, Cloud Nothings have continued to hit the target, steadily becoming a part of the fabric of modern indie rock as we know it with a run of fantastic albums. This streak continues unabated with their latest full-length, Final Summer–an album that’s so assured, so instantly satisfying, that it forces you to pause and realize you’re listening to one of the great American rock bands in their prime.&nbsp;

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